Linotype and Logan

The Linotype Machine

My interest in, and amazement by, the Linotype machine, began in late 1950’s, when my friend and fellow night movie usher, Dennis, and I finish our day, around midnight, at Abilene, Texas’ Paramount Theatre and visited his three brothers who worked, just three blocks south, in the production department of the Abilene Reporter News newspaper.   Newspaper employees included Dennis’ brothers: Steve, manager of the production department; Jim, Linotype machine operator; Dwight “Ike” newspaper pressman.   After a complete tour of the production department, I discovered that of all the machines and processes that were used to compose and print a newspaper, the Linotype was by far the most impressive.

My first image and smell of (odor produced by the molten Eutectic linotype metal alloy, a mixture of Lead, Tin and Antimony) these machines was both baffling and enlightening.  I had helped overhaul automobile engines and thoroughly understood the technology but, the complexity of this machine far surpassed any mechanical thing that I had ever seen.  After watching Jim at the Linotype’s 90-character keyboard, for a few moments, I began to get the rhythm and partially learn the procedure, but without the ability to totally understand all, of the mechanics or processes of the machine, as it produced one “line-of-type” at a time.

Linotype Matrix

One partial “line-of-type” – the finished product.

During the next three years, Dennis and I often visited the newspaper production department, always in the wee hours of the morning, when our presence could go unnoticed, by the newspaper management (beyond Steve) until our graduation from High School.  During the 1960s, most of the Linotype machines and associated equipment were phased out, of printing newspapers, in favor of automated typesetting which produced a half-cylinder of finished type metal which produced one whole page of the newspaper during each one-half revolution of the newly installed cylindrical presses, which Ike was so proud to operate. Steve was able to purchase Linotypes and some other outdated equipment, from the Abilene Reporter, and extend its life for another decade or so, in several smaller towns, around Abilene, where Steve owned and published local newspapers, during the daylight hours, for these smaller communities.

My first job after graduating high school and while attending College was Asst. Manager (later Manager) of a Drive-Inn Theatre.  Part of my duties at the Drive-Inn involved ordering and supervising the printing of various promotional movie and theatre event handbills and etc.  It was during this period that I received continuing education on the Linotype. After meeting and becoming business friends with Harry who was the Linotype operator at Abilene’s The Pender Company, which had been chosen to do most of the Theatre’s printing jobs.

As a regular customer, I was allowed to enter the print shop area where I talked to Harry who was a very proficient Linotype operator and seemed to enjoy his chosen craft, very much.  Harry always had great answers for my thousands of questions about the Linotype operation, capabilities and “tricks of the trade.”

All of this exposure to the Linotype, had peaked my interest, to such an extent that I started doing research, about the Linotype machine. However, I found very little out about the machine mechanics.  I did learn that a German clock maker, Ottmar Mergenthaler, who had emigrated to the United States in 1872, invented the Linotype with funding and help from others.  The first machines were sold to the New York Tribune Newspaper, in 1886.

Linotype MachineLinotype Machine – this whole complicated machine’s only task is to produce a single line-of-type, one at a time.

Initially, The Mergenthaler Linotype Company was the only company producing linecasting machines, but as Patents expired, other companies would begin manufacturing similar machines. The Intertype Company produced the “Intertype”, a machine closely resembling the Linotype, and using the same basic process as the Linotype, started production around 1914.  It was actually the Intertype brand, of Linotype, that I was latter to own and learn to operate.

In 1983, I purchased a Printing Company which had 12 people in the printing department, including two who operated the two Linotypes (Intertypes), which produced type for the three letterpress. This gave me the chance to actually operate and to better understand the internal working of the Linotype.  While I had no actual experience, in the printing business before buying the company, after a quick study, I successfully operated the Printing Company.  After three years of ownership, my other business interest, reduced my available time to the point that encouraged me to reluctantly sell the printing business. However, to this day, I still have many fond memories and a lot of printing memorabilia which unfortunately does not include a whole intact Linotype machine (only a part of one).

These machines played a huge role in educating and informing the world but have been almost totally replaced by equipment with computer brains.

If you are not familiar with the operation of the Linotype machine and this little piece of history has interested you, I think you will find this short video entertaining and educational.

Onward to Salford Priors

Gallery

This gallery contains 39 photos.

The acquisition of McConnel Ltd. established a very profitable European base on which to build.  McConnel’s largest UK competitor was the Bomford Company located in Salford Priors, a small village near Stratford-upon-Avon in Warwickshire. A UK traded holding company had gotten … Continue reading

My Tara – Texas Trivia

Breustedt-Logan

Breustedt – Logan House built 1910, in 1984

In 1984, we purchased a wonderful Greek Revival style house which had been designed and build in 1910 by Atlee B. Ayers.  Ayers was a noted early Texas architect.  He was responsible for several historic homes and buildings mainly in downtown San Antonio and the King William area.  Ayers was also a relative of the Walter Breustedt family, of Seguin, Texas who had this home constructed. 

The house contained well over 6,000 SF of living area, on three levels plus a basement .  This style is noted for its symmetrical design.  Towering columns fronted porches on three levels. The 3rd floor porch railing had been removed prior to 1984 – one of many things restored.

When purchased from the Breustedt family estate, the house was virtually unchanged from the time of its construction.  The photo, above, is one I took in 1984 before restoration was begun.

After finding the original architectural plans, hidden away in the attic, I set about modernizing the house while preserving the 1910 look and feel of the home.  That story is a whole book in it’s self.

Since the revival of the house and stable, barn and carriage house, the house has been featured on PBS TV, as well as on Home and Garden Television’s “Restore America” show in 2000.  Below, is the camera man filming the exterior for that show.

After completely remodeling the house in 1986, we signed a contract with Horton Foote‘s (Oscar-and Pulitzer Prize-winning playwright) Guadalupe Production Company.  Our home was to be the scene of the principal film location for two of the three films he called, “The Texas Trilogy”.  The TRILOGY was basically a prequel to the film, “The Trip to Bountiful”, for which Horton had been nominated for an Academy Award.

On Valentine’s Day- Foote

Lillian Foote (Horton’s wife) and Horton’s daughter, Hallie, seemed to be such sincere people.  So, I was very surprised that at the very last moment and despite our signed contract, Lillian who was in charge of the Production Company choose a different location.  She decided that our house was not consistent with the house in Waxahachie, Texas that was used in the earlier “On Valentine’s Day.”  The shooting location for the remaining two parts of the Trilogy was changed to Mississippi (over Horton’s objections, I was told).

I’m sorry that I did not know at that time later, my Mom told me that Horton was a distant cousin of mine,  His given name was for my mother’s Horton family which might have been a tiny bit of leverage in the negotiations.

Later, we sold our home to move to the outskirts of town.  But, unfortunately, the veterinarian that we sold “Tara” to had a “suspicious fire” which heavily damaged the home, during his bitter divorce.  The house has been restored a second time (not up to the Ayers level but, nicely).  The house was back on the market in 2009 at a greatly reduced price (see images below).

418 Elm

Home and Garden Television’s “Restore America” show filming in 2000

 

Tower Life Building San Antonio – Atlee Ayers also designed this eight sided, neo-gothic brick and terra-cotta tower (complete with gargoyles) in 1927.  This is my favorite commercial building in San Antonio.


Hope you enjoyed this bit of personal trivia.